I transcribe microtonal music in mostly equal divisions of the octave, using Dorico, Reaper, and other tools. I also have knowledge and experience with which notation works best for performers/is most readable, so may also additionally act as a consultant/dispense advice on which notation system to use and how. Some of my clients have been:

FAST-FAST (Imaginary Colours)
UnTwelve (Edition Zalzal)

Brendan Byrnes (various guitar etudes)

Norman Henry (piano works)
The Mercury Tree (Self Similar album)
Zhea Erose (Arrival)
Mike Battaglia (Sweet Lorraine, Infant Eyes)
Hear Between the Lines (Overjoyed, Radical Tenderness album)

Here is a playlist of microtonal transcriptions, continually updated
to reflect current projects (click on thumbnail) - - - - - - - - - - - - - - - - - - - >

For a quote, you may contact through the form at the bottom of the page.
A more precise input of track-by-track song breakdown will result in more
accurate and lower pricing. This is because, in circumstances where the
specifics are not known, we have to assume the most difficult parameters.
Typically each transcription has been half up front, half at the end, but
policy is flexible, and paying on a per-track-basis may also be suitable.