ELECTRONIC/MULTIMEDIA

The works on this page are purely electronic, though some of the sounds in the music may have been created via acoustic sounds that were then processed. There's a mixture of things that sound like tracks, and things that sound like acousmatic music. All the music here is made "in the box."

<>aesthetic softlock without cheats (22-EDO); 4/4/2021; synth; 06'11"

<>Watching From Sin Valley (17-EDO); 4/4/2021; synth; 02'56"

<>Twinkly Twiddly Dance (22-EDO); 1/19/2021; synth; 11'26"

<>Frozen Half-Patience [Ignoring Years of Hindsight(32-EDO); 12/4/2020; synth; 11'26"

<>[🎧👂🔜🖤💗📛🎲🎰🎮🥇🚴🌫👂👂💘;] (various - this is an album); 6/16/2020; electronics; 02°11'39"

<>Zinnia Riplet [Ignoring Years of Hindsight] (32-EDO); 5/27/2019; synth; 10'43"

<>Admin's Hot Tub (32-EDO); 5/27/2019; synth; 03'23"

<>[Six Macrotonal Etudes for Electronic Music Media] (5, 7, 8, 9, 10, and 11 EDO); 4/1/2019; fixed media; 27'30"

     (I) 5 NOTES: Grazioso

     (II) 11 NOTES: Larghetto

     (III) 9 NOTES: Prestissimo

     (IV) 10 NOTES: Maestoso

     (V) 8 NOTES: Grave

     (VI) 7 NOTES: Vivace

<>Texting About Broccoli; 4/1/2019; fixed media (18.4); 03'23"

<>Twofold Abiogenesis (53-EDO); 1/1/2019; audiovisual live processing; 10'00"

<>Xen and Now (15-EDO); 11/20/2018; synth; 05'14"

<>Let Us Greet One Another With a Holy Kiss (53-EDO); 10/8/2018; synth; 00'53"

<>Union of Ruckus (13-EDO); 9/4/2018; toys; 07'44"

<>De-Void of Re-Incarnation (18-EDO); 2/5/2018; fixed media; 09'39"

<>Underwater Spontaneity [Ignoring Years of Hindsight] (20-EDO); 9/16/2017; synth; 08'51"

<>Skirmish With Itself (17-EDO); 9/15/2017; synth; 02'33"

<>Our Pixel Perfect Dial Tone of Voice (14-EDO); 8/8/2017; synth; 04'22"

<>Hunger Wanders in an Empty Room [Ignoring Years of Hindsight] (16-EDO); 7/1/2017; synth; 06'50"

<>Iridescent Wenge Fugue (21-EDO); 11/17/2016; synth; 02'50"

<>The Sky at Witching Hour; 12/5/2015; fixed media; 05'22"