Here is a list of my works organized by tuning system. I want to consolidate all of my works into collections/albums eventually so that they can easily be chunked and thus appreciated. Collections contain old and new material, and are not listed on their own here (go to works organized by collection for that). Albums, which contain all new works at the time of release, are shown here with sub-headings of all of the tracks (which are sometimes movements of a piece). Both albums and collections are indicated by brackets and an underline. So far there are two albums (Six Macrotonal Etudes for Electronic Music Media,

๐ŸŽง๐Ÿ‘‚๐Ÿ”œ๐Ÿ–ค๐Ÿ’—๐Ÿ“›๐ŸŽฒ๐ŸŽฐ๐ŸŽฎ๐Ÿฅ‡๐Ÿšด๐ŸŒซ๐Ÿ‘‚๐Ÿ‘‚๐Ÿ’˜;), and one collection (Ignoring Years of Hindsight). Click on the name of a piece to be taken to Bandcamp, Soundcloud, or YouTube (I try to use the link that gives you the most detail, so if the song has video content, you'll go to YouTube, and if it's part of an album or collection, you'll go there on Bandcamp. Some are also just on Soundcloud). Almost all of my songs are Googlenopes, which means they should be easy to find with quotation marks if you're searching the site.

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Tuning systems are grouped by type here. "EDO" stands for "Equal Division of the Octave." Any running equal divisions are listed in order of smallest to largest; top to bottom. Just Intonation is listed in order of the n-limit being used, smallest to largest; top to bottom. Similar schemes are used for other more difficult works to categorize.

 

Equal divisions of the octave (EDO's)

 

<>0edo {๐ŸŽง๐Ÿ‘‚๐Ÿ”œ๐Ÿ–ค๐Ÿ’—๐Ÿ“›๐ŸŽฒ๐ŸŽฐ๐ŸŽฎ๐Ÿฅ‡๐Ÿšด๐ŸŒซ๐Ÿ‘‚๐Ÿ‘‚๐Ÿ’˜;]๐Ÿค‘๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿค‘๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜... (0-EDO)

<>[Six Macrotonal Etudes for Electronic Music Media] - (I) 5 NOTES: Grazioso (5-EDO)

<>[Six Macrotonal Etudes for Electronic Music Media] - (VI) 7 NOTES: Vivace (7-EDO)

<>Death Giving Monolith, 4/11/2017; singer and hammered dulcimer; 09'40" (7-EDO)

<>[Six Macrotonal Etudes for Electronic Music Media(V) 8 NOTES: Grave (8-EDO)

<>Tenacious Chorale, 3/18/2016; guitar trio - (II) 8-edo (8-EDO)

<>Tenacious Chorale, 3/18/2016; guitar trio - (I) 9-edo (9-EDO)

<>[Six Macrotonal Etudes for Electronic Music Media(III) 9 NOTES: Prestissimo (9-EDO)

<>Gamelan, Origin, Creation, 8/20/2017; cello and violin; 02'15" (9-EDO)

<>Popularity Through Brute Force [Ignoring Years of Hindsight], 11/29/2020; singers and synth; 05'58" (9-EDO)

<>Zones of Lasting Novelty, 11/3/2015; synth, 2 violins, and trombone; 05'25" (9-EDO) 

<>[Six Macrotonal Etudes for Electronic Music Media] - (IV) 10 NOTES: Maestoso (10-EDO)

<> Fiat Circadia; 7/5/2018; singer and synth; 11'51" (10-EDO)

<>Three Weeping Tyrants; 5/19/2020; hyperpiano, guitar, and singer; 08'01" (10-EDO)

<>[Six Macrotonal Etudes for Electronic Music Media] - (II) 11 NOTES: Larghetto (11-EDO)

<>Unusual Unreal Unbelievable You; 9/13/2018; singer and synth; 05'00" (11-EDO)

<>A Long Stroll at the Beach; 3/18/2016; trombone quartet; 09'43" (12-EDO)

<>Alternative Idolizations of Mammon; 1/19/2018; wind ensemble; 05'02" (12-EDO)

<>Bragging with Gratitude; completed 2/7/2017; strings, winds and piano; 05'00" (12-EDO)

<>In the Week Midwinter; 4/7/2018; piano; 01'42" (12-EDO)

<>Love, Power, and Wisdom in Situ; 3/22/2016; bassoon; 11'06" (12-EDO)

<>Meditation on the Amida Buddha; 1/9/2018; mixed quintet; 02'31" (12-EDO)

<>Non-Materialists Bargain Awkwardly; 6/26/2018; singer and piano; 05'25" (12-EDO)

<>Piano Sonata No. 1; 9/25/2017; piano; 09'30" (12-EDO)

<>Prayer of Desperation; 3/18/2016; singer and piano; 02'28" (12-EDO)

<>Stay with Me; 3/18/2016; SATB choir; 07'20" (12-EDO)

<>The Ball State Centennial Suite; 4/29/2019; mixed quartet and piano; 07'00" (12-EDO)

<>The Heptapods' Second Gift; 4/11/2017; contrabass clarinet and piano; 11'00" (12-EDO)

<>Liquid Sextet; completed 2/14/2018; percussion ensemble; 20'00" (12-EDO)

<>Ice Cream Galaxa; 8/27/2018; singer and synth; 02'30" (13-EDO)

<>Union of Ruckus; 9/4/2018; toys; 07'44" (13-EDO)

<>Console MPath; 11/8/2018; four hands synth and singers; 12'55" (14-EDO)

<>None Like Dislike Lie; 10/31/2018; TTBB choir, vocoder, and synth; 04'06" (14-EDO)

<>Our Pixel Perfect Dial Tone of Voice; 8/8/2017; synth; 04'22" (14-EDO)

<>Tiptoes in Quicksand; 9/15/2017; synths, flutes, marimba; 06'42" (14-EDO)

<>All Pretends Diminished; 2/26/2019; singer and synth; 07'20" (15-EDO)

<>Keep Out of My Psyche; 1/25/2019; singer and synth; 03'35" (15-EDO)

<>Songs of the Ill and Jaded; completed 7/7/2020; viola and synth; ~15'00"? - (II) 15-equal (15-EDO)

<>Xen and Now; 11/20/2018; synth; 05'14" (15-EDO)

<>!final DE-MASTERED [Ignoring Years of Hindsight]; 12/4/2020; singer and synth; 05'01" (16-EDO)

<>Delphie [Ignoring Years of Hindsight]; 12/4/2020; singer and synth; 04'01" (16-EDO)

<>Hunger Wanders in an Empty Room [Ignoring Years of Hindsight]; 7/1/2017; synth; 06'50" (16-EDO)

<>Shot Fades the Sum Of; 9/1/2019; guitar, synth, drums; 06'06" (16-EDO)

<>Demanding Two Faces; 9/2/2016; singer and synth; 03'11" (17-EDO)

<>Skirmish With Itself; 9/15/2017; synth; 02'33" (17-EDO)

<>Wedding Bells in Limbo; 9/24/2020; synth; 10'06" (17-EDO)

<>Where Were You During the Apocalypse?; 9/1/2016; singer and synth; 02'04" (17-EDO)

<>De-Void of Re-Incarnation; 2/5/2018; fixed media; 09'39" (18-EDO)

<>Warning about the Pond Cycle; 10/10/2017; singer and guitar; 06'00" (19-EDO)

<>2020TONEGUITAR$$$$$$$$$$$$$$$$$$$$ [Ignoring Years of Hindsight]; 12/4/2020; twenty 20-EDO guitars; 07'31" (20-EDO)

<>Battlesnake [Ignoring Years of Hindsight]; 12/4/2020; singer and guitar; 05'07" (20-EDO)

<>Ex MaSSive Black Hole [Ignoring Years of Hindsight]; 12/4/2020; guitar and synth; 05'01" (20-EDO)

<>Fort Cindy-Poo!; 3/22/2020; singers and synth; 03'23" (20-EDO)

<>God's Favorite Tuning [Ignoring Years of Hindsight]; 8/9/2017; singer and synth; 02'16" (20-EDO)

<>Good Things Take a Loong Time [Ignoring Years of Hindsight]; 11/1/2020; guitar, singer, and synth; 05'28" (20-EDO)

<>Maskera [Ignoring Years of Hindsight]; 12/4/2020; singer, guitar, and synth; 05'03" (20-EDO)

<>PullingWeedsInTheDarkAges [Ignoring Years of Hindsight]; 4/20/2018; singer and synth; 02'31" (20-EDO)

<>$L0W [Ignoring Years of Hindsight]; 12/4/2020; singer, guitar, and synth; 09'23" (20-EDO)

<>$TOP YOUR CREATIVITY WITH THE$E $IX TO $EVEN $IMPLE $TEP$ [Ignoring Years of Hindsight]; 10/2/2020; singers, synth, guitar; 09'21" (20-EDO)

<>Underwater Spontaneity [Ignoring Years of Hindsight]; 9/16/2017; synth; 08'51" (20-EDO)

<>You Lied, and I'm Not Mentioning Your Name; 8/9/2017; singer and synth; 02'41" (20-EDO)

<>Iridescent Wenge Fugue; 11/17/2016; synth; 02'50" (21-EDO)

<>Emancipate Pitch!; 3/1/2016; singer and synth; 03'13" (22-EDO)

<>Tell Me Before the Entropy Hits; 4/21/2020; singer and synth; 23'10" (22-EDO)

<>What It's Like To Follow KEYTAR BEAR; 2/23/2019; synth; 03'02" (22-EDO)

<>Curiosity Finds a Frown; 3/13/2018; singer and synth; 04'30" (23-EDO)

<>Quintet in Quarter Tones; 3/1/2017; woodwind quintet; 03'06" (24-EDO)

<>Clubb Hubb; 6/11/2020; singer and synth; 03'37" (27-EDO)

<>Falling out of Success; 9/5/2019; voice and piano; 04'27" (31-EDO)

<>Improvisation is Hard Gesundheit! Edition; 9/18/2019; hammered dulcimer and voice; 02'37" (31-EDO)

<>Key to Owning Original Words; 7/20/2018; singer and synth; 04'15" (31-EDO)

<>Wash Your Hands; 3/16/2020; TTBB choir; 00'20" (31-EDO)

<>Admin's Hot Tub; 5/27/2019; synth; 03'23" (32-EDO)

<>Frozen Half-Patience [Ignoring Years of Hindsight]; 12/4/2020; synth; 11'26" (32-EDO)

<>Zinnia Riplet [Ignoring Years of Hindsight]; 5/27/2019; synth; 10'43" (32-EDO)

<>Exponentially More Lost and Forgetful; 8/28/2017; flute duet; 04'00" (36-EDO)

<>4 (4 4L 4s's) for 40edo (no 40ed4) [๐ŸŽง๐Ÿ‘‚๐Ÿ”œ๐Ÿ–ค๐Ÿ’—๐Ÿ“›๐ŸŽฒ๐ŸŽฐ๐ŸŽฎ๐Ÿฅ‡๐Ÿšด๐ŸŒซ๐Ÿ‘‚๐Ÿ‘‚๐Ÿ’˜;] ๐Ÿ™„๐Ÿ’€๐Ÿ‘บ๐Ÿ’ฉ๐Ÿ™„๐Ÿ’€๐Ÿ‘บ๐Ÿ’ฉ... (40-EDO)

<>Let Us Greet One Another With a Holy Kiss; 10/8/2018; synth; 00'53" (53-EDO)

<>Twofold Abiogenesis; 1/1/2019; audiovisual live processing; 10'00" (53-EDO)

<>We Stand on the Shoulders of Your Miracle; 4/12/2020; TTBB choir; 05'17" (72-EDO)

<>(Googolplex)edo [๐ŸŽง๐Ÿ‘‚๐Ÿ”œ๐Ÿ–ค๐Ÿ’—๐Ÿ“›๐ŸŽฒ๐ŸŽฐ๐ŸŽฎ๐Ÿฅ‡๐Ÿšด๐ŸŒซ๐Ÿ‘‚๐Ÿ‘‚๐Ÿ’˜;]๐Ÿ˜น๐Ÿ˜ป๐Ÿ˜ผ๐Ÿ˜ฝ๐Ÿคง๐Ÿ˜ท๐Ÿค’๐Ÿค•๐Ÿ˜ฟ๐Ÿ˜ฝ๐Ÿคง๐Ÿ˜น๐Ÿ˜ฝ... (100-EDO)

<>1200edo [๐ŸŽง๐Ÿ‘‚๐Ÿ”œ๐Ÿ–ค๐Ÿ’—๐Ÿ“›๐ŸŽฒ๐ŸŽฐ๐ŸŽฎ๐Ÿฅ‡๐Ÿšด๐ŸŒซ๐Ÿ‘‚๐Ÿ‘‚๐Ÿ’˜;]๐Ÿ˜๐Ÿ˜ฑ๐Ÿ˜ฑ๐Ÿ™€๐Ÿ™€๐Ÿ™€๐Ÿ™€๐Ÿ™€๐Ÿ˜‚๐Ÿ˜‚๐Ÿ˜‚๐Ÿ˜‚๐Ÿ˜‚๐Ÿ˜‚๐Ÿ˜‚๐Ÿ˜‚๐Ÿ˜‚๐Ÿ˜‚... (1200-EDO)

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Non-octave, non-just tunings

 

<>ฯ€ed(5ede)๐Ÿ˜ˆ๐Ÿ‘น๐Ÿ˜ˆ๐Ÿ˜ธ๐Ÿคช๐Ÿ˜œ๐Ÿ‘น๐Ÿ˜ˆ๐Ÿ˜œ๐Ÿ‘น๐Ÿ˜ˆ๐Ÿ˜พ๐Ÿ˜–๐Ÿคจ๐Ÿ˜ช๐Ÿ˜ธ๐Ÿคช๐Ÿ˜œ๐Ÿ‘น๐Ÿ˜ˆ๐Ÿ‘น๐Ÿ˜ˆ๐Ÿ˜พ๐Ÿ˜–๐Ÿคจ๐Ÿ˜ช๐Ÿ˜ธ๐Ÿคช๐Ÿ˜œ๐Ÿ‘น๐Ÿ˜ˆ๐Ÿ˜พ๐Ÿ˜–๐Ÿคจ๐Ÿ˜ช... ((3.1415)-ED(1.221403))

<>A Mean Little Voice; 1/14/2017; fixed media; 06'34" (13-ED3 "Bohlen-Pierce")

<>Bohlen-Pierce with reinforced 2^n partials and manual vibrato ๐Ÿ˜ด๐Ÿค“๐Ÿ˜‡๐Ÿ˜Œ๐Ÿ˜‡๐Ÿค“๐Ÿ˜‡๐Ÿ˜Œ๐Ÿ˜ด๐Ÿค“๐Ÿ˜‡... (13-ED3 "Bohlen-Pierce")

<>Her Selcouth Touch; 7/30/2019; singers and synth; 04'41" (13-ED3 "Bohlen-Pierce")

<>Unintelligent Hierarch; 8/23/2019; laptop ensemble, toy piano, recorder; 17'00" max (13-ED3 "Bohlen-Pierce")

<>24รซdฮด ๐Ÿคฒ๐Ÿคฒ๐Ÿ‘๐Ÿ™Œ๐Ÿ™Œ๐Ÿ™Œ๐Ÿค›๐Ÿคœ๐Ÿ‘ฅ๐Ÿ‘ฅ๐Ÿ‘ฅ๐Ÿ‘ฅ๐Ÿ‘ฅ๐Ÿ‘ฅ๐Ÿ‘ฅ๐Ÿ‘“๐Ÿ‘“๐Ÿ‘“๐Ÿ‘“๐Ÿ‘“๐Ÿ‘“๐Ÿ‘“๐Ÿ‘“๐Ÿ‘“๐Ÿ‘“๐Ÿ‘“๐Ÿ‘“๐Ÿ‘“๐Ÿ•ถ... ((24)-ED(4.669))

<>edharmonic 5% flat starting from 120, 181, and 197 Hz๐Ÿ˜›๐Ÿ˜›๐Ÿ˜›๐Ÿ˜›๐Ÿ˜‹๐Ÿ˜‹๐Ÿ˜›๐Ÿ˜›๐Ÿคฉ๐Ÿคฉ๐Ÿคฉ๐Ÿคฉ๐Ÿคฉ๐Ÿคฉ๐Ÿ˜›๐Ÿ˜›... (edharmonic)

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Just Intonation (JI)

<>Nerdstick Walks; 8/28/2018; singer, banjo, and synth; 03'00" (2.3.7.13 JI "Tickner Scale");

<>Reading Writing Wrong Way; 11/24/2019; harmonic guitar and voice; 08'28" (13-limit JI)

<>3 to 5 to 8 linear to logarithmic continuum using prime numbers of Hz ๐Ÿ˜ƒ๐Ÿ˜ƒ๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜”๐Ÿ˜”๐Ÿ˜”๐Ÿ˜”... (5557-limit JI)

<>1,000,003-limit Just Intonation๐Ÿ˜ข๐Ÿ˜“โ€‹๐Ÿค—โ€‹๐Ÿ˜ข๐Ÿ˜ญโ€‹๐Ÿ˜ฌโ€‹๐Ÿ˜ข๐Ÿ˜ญโ€‹๐Ÿ˜คโ€‹๐Ÿ˜ข๐Ÿ˜“โ€‹๐Ÿ˜ข๐Ÿ˜“โ€‹๐Ÿ˜ข๐Ÿ˜“โ€‹๐Ÿ˜ข๐Ÿ˜“โ€‹๐Ÿ˜ข๐Ÿ˜“โ€‹๐Ÿ˜ข๐Ÿ˜“โ€‹๐Ÿ˜ข๐Ÿ˜ญโ€‹๐Ÿ˜คโ€‹๐Ÿ˜ฌ๐Ÿ˜ข... (1000003-limit JI)

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Temperaments (non-just, non-equal)

<>Nowhere in Super Particular (Sonarda TE); 4/22/2018; singer and synth; 05'25"

<>Rank-15 tuning tempering out [34833, -452, -740, 304, 1204, -680, 32, -68, -472, -1388, -1629, 396, -844, 96, -968, -1828>๐Ÿค–โ€‹๐Ÿค–โ€‹๐Ÿค–โ€‹๐Ÿค–โ€‹๐Ÿค–... (Rank 15 temperament: cross breed of 84be & 85bee & 86beef & 87beg & 88cell & 89dell & 90dino & 91egg & 92foo & 93gin & 94hi & 95hill & 96him & 97in & 98no)

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Continuum (scale with changing values)

<>Subconscious Train Matter (7L 3s continuum); 12/11/2017; laptop ensemble; 06'00"

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Imaginary (dividing intervals via (โˆš-1))

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<>(โˆš-703921)ed(e^ฯ„) starting at 2000 Hz ๐Ÿ˜ โ€‹๐Ÿ‘ฟโ€‹๐Ÿ‘ฟโ€‹๐Ÿ‘ฟโ€‹๐Ÿ‘ฟโ€‹๐Ÿ‘ฟโ€‹๐Ÿ‘ฟโ€‹๐Ÿ‘ฟโ€‹๐Ÿ‘ฟโ€‹๐Ÿ‘ฟโ€‹๐Ÿ‘ฟโ€‹๐Ÿ‘ฟโ€‹๐Ÿ‘ฟโ€‹๐Ÿ‘ฟโ€‹๐Ÿ˜ โ€‹๐Ÿ‘ฟโ€‹๐Ÿ‘ฟโ€‹๐Ÿ‘ฟ... ((839i)-ED(535.4916555))

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Polysystemic (multiple tunings)

 

<>All strings with 3L and 7s (MOS-MUD) ๐Ÿ˜ฏ๐Ÿ˜ฏ๐Ÿ˜ซ๐Ÿ˜ซ๐Ÿ˜ซ๐Ÿ˜ซ๐Ÿ˜ซ... (17-EDO, 24-EDO, 27-EDO, 31-EDO, 37-EDO, 38-EDO, 45-EDO, 47-EDO, 59-EDO, 77-EDO)

<>16edo, 18edo, 20edo, 28edo, 30edo ๐Ÿšง๐Ÿ”จ๐Ÿ› ๐Ÿ—๐Ÿšญ๐Ÿ—๐Ÿšญ๐Ÿ—๐Ÿšญ๐Ÿฅจ๐Ÿˆ๐Ÿฅจ๐Ÿˆ๐Ÿฅจ๐Ÿˆ๐Ÿฅจ๐Ÿˆ... (16-EDO, 18-EDO, 20-EDO, 28-EDO, 30-EDO)

<>71edo, 72edo, 105edo, 106edo, 204edo, 205edo ๐Ÿ™‚๐Ÿ™ƒ๐Ÿ˜•๐Ÿ™๐Ÿ™๐Ÿ˜ถ๐Ÿ˜๐Ÿ˜‘... (71-EDO, 72-EDO, 105-EDO, 106-EDO, 204-EDO, 205-EDO)

<>1 HOUR Chakra Meditation attempt FREE [Ignoring Years of Hindsight] (23-limit JI, 20-EDO); 10/21/2020; synth; 01ยฐ00'00"

<>My girlfriend's hair dryer๐Ÿ’‹๐Ÿ‘ฉ๐Ÿ‘…๐Ÿฐโšก๏ธโšก๏ธโšก๏ธ๐Ÿฅ‘โšก๏ธโšก๏ธ๐Ÿ‘ฉโšก๏ธโšก๏ธ๐Ÿ‘…โšก๏ธโšก๏ธ๐ŸŽโšก๏ธโšก๏ธ๐Ÿ’ฅโšก๏ธ... (5-EDO, 7-EDO, 9-EDO, 48-EDO)

<>1536edo (&20 more EDO's 1699+) ๐Ÿ†’โ€‹๐Ÿ†•โ€‹โ€‹๐Ÿ†“โ€‹๐Ÿ†’โ€‹๐Ÿ†•โ€‹โ€‹๐Ÿ†“โ€‹๐Ÿ†’โ€‹๐Ÿ†•โ€‹โ€‹... (1536-EDO, 1700-EDO, 1728-EDO, 2460-EDO, 3072-EDO, 3125-EDO, 4296-EDO, 6144-EDO, 8539-EDO, 10600-EDO, 12288-EDO, 24576-EDO, 30103-EDO, 31920-EDO, 36829-EDO, 46032-EDO, 49152-EDO, 58973-EDO, 98304-EDO, 196608-EDO)

<>All ED3's 5-50๐Ÿ˜จ๐Ÿ˜จ๐Ÿ˜จ๐Ÿ˜จ๐Ÿ˜จ๐Ÿ˜จ๐Ÿ˜จ๐Ÿ˜ฎ๐Ÿ˜ฎ๐Ÿ˜ต๐Ÿ˜ต๐Ÿ˜ต๐Ÿ˜ต๐Ÿ˜ต๐Ÿ˜ต๐Ÿ˜ต๐Ÿ˜ต๐Ÿ˜ต๐Ÿ˜ต๐Ÿ˜ต๐Ÿ˜ต๐Ÿ˜ต๐Ÿค๐Ÿค๐Ÿค๐Ÿคค๐Ÿคค๐Ÿคค... (5ed3, 6ed3, 7ed3, 8ed3, 9ed3, 10ed3, 11ed3, 12ed3, 13ed3 "Bohlen-Pierce", 14ed3, 15ed3, 16ed3, 17ed3, 18ed3, 19ed3, 20ed3, 21ed3, 22ed3, 23ed3, 24d3, 25ed3, 26ed3, 27ed3, 28ed3, 29ed3, 30ed3, 31ed3, 32ed3, 33ed3, 34ed3, 35ed3, 36ed3, 37ed3, 38ed3, 39ed3, 40ed3, 41ed3, 42ed3, 43ed3, 44ed3, 45ed3, 46ed3, 47ed3, 48ed3, 49ed3, 50ed3)

<>All 11-note MOS with periods of 2 and ฮด where L/s = 2ฯ† ๐Ÿ˜๐Ÿ˜Š๐Ÿ˜Š๐Ÿ˜Š๐Ÿง๐Ÿง๐Ÿง๐Ÿค”๐Ÿค”๐Ÿค”... (period of 2 -1L 10s, 2L 9s, 3L 8s, 4L 7s, 5L 6s, 6L 5s, 7L 4s, 8L 3s, 9L 2s, 10L 1s; period of 4.669 - 1L 10s, 2L 9s, 3L 8s, 4L 7s, 5L 6s, 6L 5s, 7L 4s, 8L 3s, 9L 2s, 10L 1s)

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Indeterminate (tuning-agnostic)

 

<>The Sky at Witching Hour; 12/5/2015; fixed media; 05'22"โ€‹

<>Reception for Phone Ensemble; 5/18/2019; 3-15 cellphone conversations; 15'00" max

<>Texting About Broccoli; 4/1/2019; fixed media (18.4); 03'23"

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Please contact Stephen about anything musical.

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