Here is a list of my works organized by date released. I want to consolidate all of my works into collections/albums eventually so that they can easily be chunked and thus appreciated. Collections contain old and new material, and are not listed on their own here (go to works organized by collection for that). Albums, which contain all new works at the time of release, are shown here with sub-headings of all of the tracks (which are sometimes movements of a piece). Both albums and collections are indicated by brackets and an underline. So far there are two albums (Six Macrotonal Etudes for Electronic Music Media,

๐ŸŽง๐Ÿ‘‚๐Ÿ”œ๐Ÿ–ค๐Ÿ’—๐Ÿ“›๐ŸŽฒ๐ŸŽฐ๐ŸŽฎ๐Ÿฅ‡๐Ÿšด๐ŸŒซ๐Ÿ‘‚๐Ÿ‘‚๐Ÿ’˜;), and one collection (Ignoring Years of Hindsight). Click on the name of a piece to be taken to Bandcamp, Soundcloud, or YouTube (I try to use the link that gives you the most detail, so if the song has video content, you'll go to YouTube, and if it's part of an album or collection, you'll go there on Bandcamp. Some are also just on Soundcloud). Almost all of my songs are Googlenopes, which means they should be easy to find with quotation marks if you're searching the site.


<>!final DE-MASTERED [Ignoring Years of Hindsight(16-EDO); 12/4/2020; singer and synth; 05'01"

<>2020TONEGUITAR$$$$$$$$$$$$$$$$$$$$ [Ignoring Years of Hindsight(20-EDO); 12/4/2020; twenty 20-EDO guitars; 07'31"

<>Delphie [Ignoring Years of Hindsight(16-EDO); 12/4/2020; singer and synth; 04'01"

<>Battlesnake [Ignoring Years of Hindsight(20-EDO); 12/4/2020; singer and guitar; 05'07"

<>Ex MaSSive Black Hole [Ignoring Years of Hindsight(20-EDO); 12/4/2020; guitar and synth; 05'01"

<>Frozen Half-Patience [Ignoring Years of Hindsight(32-EDO); 12/4/2020; synth; 11'26"

<>$L0W [Ignoring Years of Hindsight(20-EDO); 12/4/2020; singer, guitar, and synth; 09'23"

<>Maskera [Ignoring Years of Hindsight(20-EDO); 12/4/2020; singer, guitar, and synth; 05'03"

<>Popularity Through Brute Force [Ignoring Years of Hindsight] (9-EDO); 11/29/2020; singers and synth; 05'58"

<>Good Things Take a Loong Time [Ignoring Years of Hindsight] (20-EDO); 11/1/2020; guitar, singer, and synth; 05'28"

<>1 HOUR Chakra Meditation attempt FREE [Ignoring Years of Hindsight] (23-limit JI, 20-EDO); 10/21/2020; synth; 01ยฐ00'00"

<>$TOP YOUR CREATIVITY WITH THE$E $IX TO $EVEN $IMPLE $TEP$ [Ignoring Years of Hindsight] (20-EDO); 10/2/2020; singers, synth, guitar; 09'21"

<>Wedding Bells in Limbo (17-EDO); 9/24/2020; synth; 10'06"

<>[๐ŸŽง๐Ÿ‘‚๐Ÿ”œ๐Ÿ–ค๐Ÿ’—๐Ÿ“›๐ŸŽฒ๐ŸŽฐ๐ŸŽฎ๐Ÿฅ‡๐Ÿšด๐ŸŒซ๐Ÿ‘‚๐Ÿ‘‚๐Ÿ’˜;] (various); 6/16/2020; electronics; 02ยฐ11'39"

     (1.) 1200edo๐Ÿ˜๐Ÿ˜ฑ๐Ÿ˜ฑ๐Ÿ™€๐Ÿ™€๐Ÿ™€๐Ÿ™€๐Ÿ™€๐Ÿ˜‚๐Ÿ˜‚๐Ÿ˜‚๐Ÿ˜‚๐Ÿ˜‚๐Ÿ˜‚๐Ÿ˜‚๐Ÿ˜‚๐Ÿ˜‚๐Ÿ˜‚๐Ÿ˜‚๐Ÿ˜‚๐Ÿ˜‚๐Ÿ˜‚๐Ÿคฅ๐Ÿ˜˜๐Ÿ˜ฒ๐Ÿ˜ฒ๐Ÿคก๐Ÿคก๐Ÿคก๐Ÿคก๐Ÿคก๐Ÿคฃ... (1200-EDO)

     (2.) 1,000,003-limit Just Intonation๐Ÿ˜ข๐Ÿ˜“โ€‹๐Ÿค—โ€‹๐Ÿ˜ข๐Ÿ˜ญโ€‹๐Ÿ˜ฌโ€‹๐Ÿ˜ข๐Ÿ˜ญโ€‹๐Ÿ˜คโ€‹๐Ÿ˜ข๐Ÿ˜“โ€‹๐Ÿ˜ข๐Ÿ˜“โ€‹๐Ÿ˜ข๐Ÿ˜“โ€‹๐Ÿ˜ข๐Ÿ˜“โ€‹๐Ÿ˜ข๐Ÿ˜“โ€‹๐Ÿ˜ข๐Ÿ˜“โ€‹๐Ÿ˜ข๐Ÿ˜ญโ€‹๐Ÿ˜คโ€‹๐Ÿ˜ฌ๐Ÿ˜ข... (1000003-limit JI)

     (3.) edharmonic 5% flat starting from 120, 181, and 197 Hz๐Ÿ˜›๐Ÿ˜›๐Ÿ˜›๐Ÿ˜›๐Ÿ˜‹๐Ÿ˜‹๐Ÿ˜›๐Ÿ˜›๐Ÿคฉ๐Ÿคฉ๐Ÿคฉ๐Ÿคฉ๐Ÿคฉ๐Ÿคฉ๐Ÿ˜›๐Ÿ˜›... (edharmonic)

     (4.) My girlfriend's hair dryer๐Ÿ’‹๐Ÿ‘ฉ๐Ÿ‘…๐Ÿฐโšก๏ธโšก๏ธโšก๏ธ๐Ÿฅ‘โšก๏ธโšก๏ธ๐Ÿ‘ฉโšก๏ธโšก๏ธ๐Ÿ‘…โšก๏ธโšก๏ธ๐ŸŽโšก๏ธโšก๏ธ๐Ÿ’ฅโšก๏ธ... (5-EDO, 7-EDO, 9-EDO, 48-EDO)

     (5.) 4 (4 4L 4s's) for 40edo (no 40ed4) ๐Ÿ™„๐Ÿ’€๐Ÿ‘บ๐Ÿ’ฉ๐Ÿ™„๐Ÿ’€๐Ÿ‘บ๐Ÿ’ฉ๐Ÿ™„๐Ÿ’€๐Ÿ‘บ๐Ÿ’ฉ๐Ÿ™„๐Ÿ’€๐Ÿ‘บ๐Ÿ’ฉ๐Ÿ™„๐Ÿ’€๐Ÿ‘บ๐Ÿ’ฉ๐Ÿ™„๐Ÿ’€๐Ÿ‘บ๐Ÿ’ฉ๐Ÿ™„๐Ÿ’€... (40-EDO)

     (6.) ฯ€ed(5ede)๐Ÿ˜ˆ๐Ÿ‘น๐Ÿ˜ˆ๐Ÿ˜ธ๐Ÿคช๐Ÿ˜œ๐Ÿ‘น๐Ÿ˜ˆ๐Ÿ˜œ๐Ÿ‘น๐Ÿ˜ˆ๐Ÿ˜พ๐Ÿ˜–๐Ÿคจ๐Ÿ˜ช๐Ÿ˜ธ๐Ÿคช๐Ÿ˜œ๐Ÿ‘น๐Ÿ˜ˆ๐Ÿ‘น๐Ÿ˜ˆ๐Ÿ˜พ๐Ÿ˜–๐Ÿคจ๐Ÿ˜ช๐Ÿ˜ธ๐Ÿคช๐Ÿ˜œ๐Ÿ‘น๐Ÿ˜ˆ๐Ÿ˜พ๐Ÿ˜–๐Ÿคจ๐Ÿ˜ช... ((3.1415)-ED(1.221403))

     (7.) 1536edo (&20 more EDO's 1699+) ๐Ÿ†’โ€‹๐Ÿ†•โ€‹โ€‹๐Ÿ†“โ€‹๐Ÿ†’โ€‹๐Ÿ†•โ€‹โ€‹๐Ÿ†“โ€‹๐Ÿ†’โ€‹๐Ÿ†•โ€‹โ€‹... (1536-EDO, 1700-EDO, 1728-EDO, 2460-EDO, 3072-EDO, 3125-EDO, 4296-EDO, 6144-EDO, 8539-EDO, 10600-EDO, 12288-EDO, 24576-EDO, 30103-EDO, 31920-EDO, 36829-EDO, 46032-EDO, 49152-EDO, 58973-EDO, 98304-EDO, 196608-EDO)

     (8.) All ED3's 5-50๐Ÿ˜จ๐Ÿ˜จ๐Ÿ˜จ๐Ÿ˜จ๐Ÿ˜จ๐Ÿ˜จ๐Ÿ˜จ๐Ÿ˜ฎ๐Ÿ˜ฎ๐Ÿ˜ต๐Ÿ˜ต๐Ÿ˜ต๐Ÿ˜ต๐Ÿ˜ต๐Ÿ˜ต๐Ÿ˜ต๐Ÿ˜ต๐Ÿ˜ต๐Ÿ˜ต๐Ÿ˜ต๐Ÿ˜ต๐Ÿ˜ต๐Ÿค๐Ÿค๐Ÿค๐Ÿคค๐Ÿคค๐Ÿคค... (5ed3, 6ed3, 7ed3, 8ed3, 9ed3, 10ed3, 11ed3, 12ed3, 13ed3 "Bohlen-Pierce", 14ed3, 15ed3, 16ed3, 17ed3, 18ed3, 19ed3, 20ed3, 21ed3, 22ed3, 23ed3, 24d3, 25ed3, 26ed3, 27ed3, 28ed3, 29ed3, 30ed3, 31ed3, 32ed3, 33ed3, 34ed3, 35ed3, 36ed3, 37ed3, 38ed3, 39ed3, 40ed3, 41ed3, 42ed3, 43ed3, 44ed3, 45ed3, 46ed3, 47ed3, 48ed3, 49ed3, 50ed3)

     (9.) Bohlen-Pierce with reinforced 2^n partials and manual vibrato ๐Ÿ˜ด๐Ÿค“๐Ÿ˜‡๐Ÿ˜Œ๐Ÿ˜‡๐Ÿค“๐Ÿ˜‡๐Ÿ˜Œ๐Ÿ˜ด๐Ÿค“๐Ÿ˜‡... (13-ED3 "Bohlen-Pierce")

     (10.) 71edo, 72edo, 105edo, 106edo, 204edo, 205edo ๐Ÿ™‚๐Ÿ™ƒ๐Ÿ˜•๐Ÿ™๐Ÿ™๐Ÿ˜ถ๐Ÿ˜๐Ÿ˜‘... (71-EDO, 72-EDO, 105-EDO, 106-EDO, 204-EDO, 205-EDO)

     (11.) Rank-15 tuning tempering out [34833, -452, -740, 304, 1204, -680, 32, -68, -472, -1388, -1629, 396, -844, 96, -968, -1828>๐Ÿค–โ€‹๐Ÿค–โ€‹๐Ÿค–โ€‹๐Ÿค–โ€‹๐Ÿค–... (Rank 15 temperament: cross breed of 84be & 85bee & 86beef & 87beg & 88cell & 89dell & 90dino & 91egg & 92foo & 93gin & 94hi & 95hill & 96him & 97in & 98no)

     (12.) 3 to 5 to 8 linear to logarithmic continuum using prime numbers of Hz ๐Ÿ˜ƒ๐Ÿ˜ƒ๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜”๐Ÿ˜”๐Ÿ˜”๐Ÿ˜”... (5557-limit JI)

     (13.) 0edo ๐Ÿค‘๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿค‘๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿค‘๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜บ๐Ÿ˜†๐Ÿ˜†๐Ÿ˜†๐Ÿ˜†๐Ÿ˜†๐Ÿ˜†๐Ÿ˜บ๐Ÿ˜†๐Ÿ˜†๐Ÿ˜†... (0-EDO)

     (14.) All strings with 3L and 7s (MOS-MUD) ๐Ÿ˜ฏ๐Ÿ˜ฏ๐Ÿ˜ซ๐Ÿ˜ซ๐Ÿ˜ซ๐Ÿ˜ซ๐Ÿ˜ซ... (17-EDO, 24-EDO, 27-EDO, 31-EDO, 37-EDO, 38-EDO, 45-EDO, 47-EDO, 59-EDO, 77-EDO)

     (15.) 16edo, 18edo, 20edo, 28edo, 30edo ๐Ÿšง๐Ÿ”จ๐Ÿ› ๐Ÿ—๐Ÿšญ๐Ÿ—๐Ÿšญ๐Ÿ—๐Ÿšญ๐Ÿฅจ๐Ÿˆ๐Ÿฅจ๐Ÿˆ๐Ÿฅจ๐Ÿˆ๐Ÿฅจ๐Ÿˆ... (16-EDO, 18-EDO, 20-EDO, 28-EDO, 30-EDO)

     (16.) 24รซdฮด ๐Ÿคฒ๐Ÿคฒ๐Ÿ‘๐Ÿ™Œ๐Ÿ™Œ๐Ÿ™Œ๐Ÿค›๐Ÿคœ๐Ÿ‘ฅ๐Ÿ‘ฅ๐Ÿ‘ฅ๐Ÿ‘ฅ๐Ÿ‘ฅ๐Ÿ‘ฅ๐Ÿ‘ฅ๐Ÿ‘“๐Ÿ‘“๐Ÿ‘“๐Ÿ‘“๐Ÿ‘“๐Ÿ‘“๐Ÿ‘“๐Ÿ‘“๐Ÿ‘“๐Ÿ‘“๐Ÿ‘“๐Ÿ‘“๐Ÿ‘“๐Ÿ•ถ... ((24)-ED(4.669))

     (17.) (โˆš-703921)ed(e^ฯ„) starting at 2000 Hz ๐Ÿ˜ โ€‹๐Ÿ‘ฟโ€‹๐Ÿ‘ฟโ€‹๐Ÿ‘ฟโ€‹๐Ÿ‘ฟโ€‹๐Ÿ‘ฟโ€‹๐Ÿ‘ฟโ€‹๐Ÿ‘ฟโ€‹๐Ÿ‘ฟโ€‹๐Ÿ‘ฟโ€‹๐Ÿ‘ฟโ€‹๐Ÿ‘ฟโ€‹๐Ÿ‘ฟโ€‹๐Ÿ‘ฟโ€‹๐Ÿ˜ โ€‹๐Ÿ‘ฟโ€‹๐Ÿ‘ฟโ€‹๐Ÿ‘ฟ... ((839i)-ED(535.4916555))

     (18.) All 11-note MOS with periods of 2 and ฮด where L/s = 2ฯ† ๐Ÿ˜๐Ÿ˜Š๐Ÿ˜Š๐Ÿ˜Š๐Ÿง๐Ÿง๐Ÿง๐Ÿค”๐Ÿค”๐Ÿค”... (period of 2 -1L 10s, 2L 9s, 3L 8s, 4L 7s, 5L 6s, 6L 5s, 7L 4s, 8L 3s, 9L 2s, 10L 1s; period of 4.669 - 1L 10s, 2L 9s, 3L 8s, 4L 7s, 5L 6s, 6L 5s, 7L 4s, 8L 3s, 9L 2s, 10L 1s)

     (19.) (Googolplex)edo ๐Ÿ˜น๐Ÿ˜ป๐Ÿ˜ผ๐Ÿ˜ฝ๐Ÿคง๐Ÿ˜ท๐Ÿค’๐Ÿค•๐Ÿ˜ฟ๐Ÿ˜ฝ๐Ÿคง๐Ÿ˜น๐Ÿ˜ฝ๐Ÿคง๐Ÿ˜ท๐Ÿ˜ฝ๐Ÿคง๐Ÿ˜ท๐Ÿ˜ฝ๐Ÿคง๐Ÿ˜ท๐Ÿ˜ฝ๐Ÿคง... (100-EDO)

<>Clubb Hubb (27-EDO); 6/11/2020; singer and synth; 03'37"

<>Three Weeping Tyrants (10-EDO); 5/19/2020; hyperpiano, guitar, and singer; 08'01"

<>Tell Me Before the Entropy Hits (22-EDO); 4/21/2020; singer and synth; 23'10"

<>We Stand on the Shoulders of Your Miracle (72-EDO); 4/12/2020; TTBB choir; 05'17"

<>Fort Cindy-Poo! (20-EDO); 3/22/2020; singers and synth; 03'23"

<>Wash Your Hands (31-EDO); 3/16/2020; TTBB choir; 00'20"


<>Reading Writing Wrong Way (13-limit JI); 11/24/2019; harmonic guitar and voice; 08'28"

<>Improvisation is Hard Gesundheit! Edition (31-EDO); 9/18/2019; hammered dulcimer and voice; 02'37"

<>Falling out of Success (31-EDO); 9/5/2019; voice and piano; 04'27"

<>Shot Fades the Sum Of (16-EDO); 9/1/2019; guitar, synth, drums; 06'06"

<>Unintelligent Hierarch (13-ED3 "Bohlen-Pierce"); 8/23/2019; laptop ensemble, toy piano, recorder; 17'00" max

<>Her Selcouth Touch (13-ED3 "Bohlen-Pierce"); 7/30/2019; singers and synth; 04'41"

<>Zinnia Riplet [Ignoring Years of Hindsight] (32-EDO); 5/27/2019; synth; 10'43"

<>Admin's Hot Tub (32-EDO); 5/27/2019; synth; 03'23"

<>Reception for Phone Ensemble; 5/18/2019; 3-15 cellphone conversations; 15'00" max

<>The Ball State Centennial Suite; 4/29/2019; mixed quartet and piano; 07'00"

     (I) Dear Alma-Mande

     (II) The Cardinal Waltz

     (III) We'll Honor Thee

     (IV) Gigue, both day and night

<>[Six Macrotonal Etudes for Electronic Music Media(5, 7, 8, 9, 10, and 11 EDO); 4/1/2019; fixed media; 27'30"

     (I) 5 NOTES: Grazioso

     (II) 11 NOTES: Larghetto

     (III) 9 NOTES: Prestissimo

     (IV) 10 NOTES: Maestoso

     (V) 8 NOTES: Grave

     (VI) 7 NOTES: Vivace

<>Texting About Broccoli; 4/1/2019; fixed media (18.4); 03'23"

<>All Pretends Diminished (15-EDO); 2/26/2019; singer and synth; 07'20"

<>What It's Like To Follow KEYTAR BEAR (22-EDO); 2/23/2019; synth; 03'02"

<>Keep Out of My Psyche (15-EDO); 1/25/2019; singer and synth; 03'35"

<>Twofold Abiogenesis (53-EDO); 1/1/2019; audiovisual live processing; 10'00"


<>Xen and Now (15-EDO); 11/20/2018; synth; 05'14"

<>Console MPath (14-EDO); 11/8/2018; four hands synth and singers; 12'55"

<>None Like Dislike Lie (14-EDO); 10/31/2018; TTBB choir, vocoder, and synth; 04'06"

<>Let Us Greet One Another With a Holy Kiss (53-EDO); 10/8/2018; synth; 00'53"

<>Unusual Unreal Unbelievable You (11-EDO); 9/13/2018; singer and synth; 05'00"

<>Union of Ruckus (13-EDO); 9/4/2018; toys; 07'44"

<>Nerdstick Walks ( JI "Tickner Scale"); 8/28/2018; singer, banjo, and synth; 03'00"

<>Ice Cream Galaxa (13-EDO); 8/27/2018; singer and synth; 02'30"

<>Key to Owning Original Words (31-EDO); 7/20/2018; singer and synth; 04'15"

<> Fiat Circadia (10-EDO); 7/5/2018; singer and synth; 11'51"

<>Non-Materialists Bargain Awkwardly; 6/26/2018; singer and piano; 05'25"

<>Nowhere in Super Particular (Sonarda TE); 4/22/2018; singer and synth; 05'25"

<>PullingWeedsInTheDarkAges [Ignoring Years of Hindsight] (20-EDO); 4/20/2018; singer and synth; 02'31"

<>(II) In the Week Midwinter; 4/7/2018; piano; 01'42"

<>Curiosity Finds a Frown (23-EDO); 3/13/2018; singer and synth; 04'30"

<>De-Void of Re-Incarnation (18-EDO); 2/5/2018; fixed media; 09'39"

<>Alternative Idolizations of Mammon; 1/19/2018; wind ensemble; 05'02"

<>Meditation on the Amida Buddha; 1/9/2018; mixed quintet; 02'31"


<>Subconscious Train Matter (7L 3s continuum); 12/11/2017; laptop ensemble; 06'00"

<>Warning about the Pond Cycle (19-EDO); 10/10/2017; singer and guitar; 06'00"

<>Piano Sonata No. 1; 9/25/2017; piano; 09'30"

<>Underwater Spontaneity [Ignoring Years of Hindsight] (20-EDO); 9/16/2017; synth; 08'51"

<>Tiptoes in Quicksand (14-EDO); 9/15/2017; synths, flutes, marimba; 06'42"

<>Skirmish With Itself (17-EDO); 9/15/2017; synth; 02'33"

<>Exponentially More Lost and Forgetful (36-EDO); 8/28/2017; flute duet; 04'00"

<>Gamelan, Origin, Creation (9-EDO); 8/20/2017; cello and violin; 02'15"

<>You Lied, and I'm Not Mentioning Your Name (20-EDO); 8/9/2017; singer and synth; 02'41"

<>God's Favorite Tuning [Ignoring Years of Hindsight] (20-EDO); 8/9/2017; singer and synth; 02'16"

<>Our Pixel Perfect Dial Tone of Voice (14-EDO); 8/8/2017; synth; 04'22"

<>Hunger Wanders in an Empty Room [Ignoring Years of Hindsight] (16-EDO); 7/1/2017; synth; 06'50"

<>The Heptapods' Second Gift; 4/11/2017; contrabass clarinet and piano; 11'00"

<>Death Giving Monolith (7-EDO); 4/11/2017; singer and hammered dulcimer; 09'40"

<>Quintet in Quarter Tones (24-EDO); 3/1/2017; woodwind quintet; 03'06"

<>A Mean Little Voice (13-ED3 "Bohlen-Pierce"); 1/14/2017; fixed media; 06'34"


<>Iridescent Wenge Fugue (21-EDO); 11/17/2016; synth; 02'50"

<>Demanding Two Faces (17-EDO); 9/2/2016; singer and synth; 03'11"

<>Where Were You During the Apocalypse? (17-EDO); 9/1/2016; singer and synth; 02'04"

<>Love, Power, and Wisdom in Situ; 3/22/2016; bassoon; 11'06"

     (I) Ozymandias

     (II) Parthenon

     (III) Kiss

<>Tenacious Chorale (8-EDO, 9-EDO); 3/18/2016; guitar trio; 09'37"

     (I) 9-edo

     (II) 8-edo

<>Stay with Me, Come and Go; 3/18/2016; SATB choir; 07'20"

<>Prayer of Desperation; 3/18/2016; singer and piano; 02'28"

<>A Long Stroll at the Beach; 3/18/2016; trombone quartet; 09'43"

<>Emancipate Pitch! (22-EDO); 3/1/2016; singer and synth; 03'13"


<>The Sky at Witching Hour; 12/5/2015; fixed media; 05'22"

<>Zones of Lasting Novelty (9-EDO); 11/3/2015; synth, 2 violins, and trombone; 05'25"



<>Bragging with Gratitude; completed 2/7/2017; strings, winds and piano; 05'00"

<>Liquid Sextet; completed 2/14/2018; percussion ensemble; 20'00"

<>Songs of the Ill and Jaded (15-EDO, 22-EDO, 31-EDO); completed 7/7/2020; viola and synth; ~15'00"?

     (I) 15-equal

     (II) 31-equal

     (III) 22-equal


Please contact Stephen about anything musical.

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